Introduction to Art Archive XXVII: Correspondence-Poetry or Letters and Affects—Shuzo Takiguchi and Shusaku Arakawa/Madeline Gins
March 17 (Mon) – May 30 (Fri), 2025
Edited by Hitoshi Kubo, Mayuko Kimura, Natsuki Iwabuchi, Kohta Nakajima, Rika Yoshihara
Editional support by Ryosuke Yamakoshi, Tatsuro Ogura
Designed by Hiroki Yamamoto (Inu no Senaka-za)
Edited by Hitoshi Kubo, Mayuko Kimura, Natsuki Iwabuchi, Kohta Nakajima, Rika Yoshihara
Editional support by Ryosuke Yamakoshi, Tatsuro Ogura
Designed by Hiroki Yamamoto (Inu no Senaka-za)
- Published: 2025-03-17
A5、149ページ
- Price: カタログ：500円
収録内容
- 序
- 久保仁志｜余白 空白 ”ノー!!”と言うシニフィエが｜6-29
- 本間桃世｜瀧口修造と荒川修作／マドリン・ギンズの”再集合”｜30-34
- 松田剛佳｜荒川修作／マドリン・ギンズのアーカイブの現状とこれから｜35-39
- 塚原史｜ポストカードから「意味のメカニズム」の起源を探る──荒川修作から瀧口修造へ｜40-63
- 桑田光平｜「影像」について──瀧口とデュシャン、そして少しだけ荒川｜64-75
- 平倉圭｜裂き接ぎ──荒川／ギンズ／瀧口｜76-93
- 山本浩貴（いぬのせなか座）｜私的宛先から交通網そのものの彫刻へ──marginとblankにおける「白」の位置｜94-109
- 平芳幸浩｜『パピエプリエ02：瀧口修造と荒川修作／マドリン・ギンズ──書簡または余白と空白』に寄せて｜110-117
- 瀧口修造ー荒川修作／マドリン・ギンズ往復書簡抜粋（1974年）｜119-147
- 執筆者略歴｜148
- 目次｜149
- 奥付｜150
- "Live with the Times, and beyond Them." The Gaze of Reiji Kawaguchi
- Introduction to Art Archive XXVII: Correspondence-Poetry or Letters and Affects—Shuzo Takiguchi and Shusaku Arakawa/Madeline Gins
- Introduction to Art Archive XXVI: Yoshikuni Iida: Landscape of Time
- Published by KUAC: Tracing 30 Years of the Keio University Art Center through its Publications
- Artist VoiceⅢ Tetsuro Komai: Etched Lines, Unleashed Strokes
- Introduction to Art Archive XXV: A Passion for Kabuki: Tanabe Collection of the Magazine, Yakusha
- Introduction to Art Archive XXIV: The 40th Anniversary of the Death of Junzaburo Nishiwaki: Wandering with Flora
- Introduction to Art Archive XXIII Fumihiko Maki and Keio University II Designing the Between: SFC as Group Form
- Introduction to Archives XXII “A Story of Smallpox: Detached from the Life you were born with...”
- Standing Point III Hanne Darboven
- Tangite me: Reconsidering Conservation during the Pandemic [Exhibition Record Book]
- Artist Voice II: Tosio Arimoto Journey to the Wellspring of his Songs
- Artist Voice I: Tatsuo Kawaguchi non-Respiring
- Standing Point I: Yoko Terauchi
- Introduction to Art Archive XXI Fumihiko Maki and Keio University I : Resonating Architecture
- Treasures from Century Cultural Foundation: Writings of the Literati
- Introduction to Archives XX: The Shadow in a Marginalia II–Shuzo Takiguchi’s Books – One Object ‘with Latent Sounds’
- Pleating Machine 3
- Yuki Okumura: The Man Who, An Ephemeral Archive
- Treasures from Century Cultural Foundation: Bookworms / Bookfiends
- Standing Point I: Yoko Terauchi
- The World of Paleography V: Relations with Neighboring Countries in the Edo Period
- Treasures from Century Cultural Foundation: Calligraphy and Books of Zen Priests
- Pleating Machine1
- Pleating Machine 0
- Introduction to Archives XVI: The Shadow in a Marginalia: Shuzo Takiguchi’s Room
- Architecture Past and Present: The Comings and Goings of Keio University Shinanomachi Campus
- Treasures from Century Cultural Foundation: Kūkai and Books of the Shingon Esoteric Buddhism
- The World of Paleography V: Relations with Neighboring Countries in the Edo Period
- KUAC Cinematheque 1: Video is a Toy! VIC #1
- Standing Point I: Yoko Terauchi
- Introduction to Archives XV: Avalanching! Avalanche
- Treasures from Century Cultural Foundation: Books on Antiques in Pre-modern Japan
- The World of Paleography IV: Records of Internal Migration
- Introduction to Archives XIV: KAMAITACHI and TASHIRO
- Introduction to Archives XIII: Tokyo Biennale ’70, Revisited
- Narrating Faculty of Letters The Humanistic Study in Documents／The Words of Master and Pupil Junzaburo Nishiwaki and Toshihiko Izutsu
- Treasures from Century Cultural Foundation: The Art at Peace -- Early Edo Culture thorough Books
- The World of Paleography Recording the Late Edo period: NIJO Family Documents
- Keio and World War Ⅱ
- Contemporary eyes Ⅴ: Blinky Palermo
- Noguchi Room Revisited
- Adoration to classical Antiquity
- Treasures from Century Cultural Foundation: Adoration to classical Antiquity
- Keio and The War Ⅱ: Personal Belongings, Voices, and People at the Time
- The World of Paleography Ⅱ: SAMURAI ReCords
- Contemporary Eyes Ⅳ The Light Dwells: IMI KNOEBEL
- Introdution to Archives Ⅸ: TAKEMIYA INVITATION
- Keio and The War Ⅰ: Keio in year Showa 18
- Treasures from Century Cultural Foundation Canvas for Waka
- The World of Paleography: From the Collection of Nomura Kanetaro
- Contemporary Eyes III Sunrise and Sunset: Bruce McLean, 1985-90
- School buildings in Minato: recovery from disasters
- Taniguchi Yoshiro and Keio University Hall of Residence HIYOSHI
- Tokyo Rrose Sélavy
- センチュリー文化財団寄託品展覧会 日本の書状
- Contemporary eyes Ⅱ form here: stanley brown Daniel Buren
- Hijikata Tatsumi + Nakanishi Natsuyuki "The Back"
- Contemporary Eyes I Hamish Fulton: Five Walks
- 西脇順三郎アーカイヴ開設記念 没後30年 西脇順三郎: 大いなる伝統
- 東西の絵入り本 ── 1400〜1700年 Ⅰ: 絵入り本の比較研究に向けて
- センチュリー文化財団寄託品展覧会 日本の写経
- Introduction to Archives Ⅵ: Keio Uni. Mita South Building in Memory
- Commemorative Exhibition of the 150th Anniversary of Keio University: Artists from Keio
- 瀧口修造 1958 ── 旅する眼差し
- Selected Masterpieces from Keio Gijuku Collection
- Yoshiko Shimada
- 日本人の生と死のリズム ── 芳賀日出男写真展
- 光の糸が見える ── 飯田善國展
- 北新館竣工記念 建築を描く
- Centennial Anniversary of Faculty of Letters, KEIO University: Treasures from the Keio-Gijuku Collection
What's on
- SHOW-CASE PROJECT Extra-2 Motohiro Tomii Conditions of Contact
- Introduction to Art Archive XXVIII: The 40th Anniversary of Hijikata Tatsumi’s Death
- 舞踏家・小林嵯峨による舞踏ワークショップ「こころ」
- Keio University Mita Campus Architecture Open Day
- Papier Plié 02: Correspondences between Shuzo Takiguchi and Shusaku Arakawa/Madeline Gins — Margin and Blank