慶應義塾大学アート・センター Keio University Art Center

Research projects

Digitalization and Recording of Video Art Related Materials of Ko Nakajima and VIC

This project aims to reconsider the activities of media arts in Japan from the postwar period to present within the framework of “intermedia”, as well as to build a foundation for a clearer understanding of the history of media arts in Japan through the video art-related materials, which are located at the intersection of art and video history and various artistic activities of the same period, and represented here by Ko Nakajima and VIC.

Project Report

Cultural Narrative of a City

Minato City is at once an international centre, rich in contemporary culture, and at the same time an area full of historial sites of interest, temples, shrines, and long-established businesses. The project “Cultural Narrative of a City” aims to access the dynamic axis that runs historically through Minato city.

Drawing connections between the old and new cultural resources of the city and the research activities that surround these resources, we hope to support current and future artistic and cultural activities, and at the same time to deepen the cultural tourism of the city. 

Keio University Art and Architecture Open Days

「慶應義塾の建築」プロジェクトは2008年に発足し、一貫教育校を含む塾内建築についての記録資料を作成・保存しその記憶をアーカイヴ化するプロジェクトです。建築アーカイヴの実践を行うとともに、建築のアーカイヴ化について研究し、考察・検討しています。
「塾内建築の基礎調査と記録資料整備」と「情報の発信・共有」を活動の軸とし、画像記録の現状調査、建築物の記録撮影、図面のデジタル化、建築物についての基礎データの収集および整備等を2009年より行っています。また、情報の発信・共有に関しては、撮影した写真を用いた写真展の開催、建築の見学会やワークショップを開催しています。
「建築プロムナード——建築特別公開日 」と名づけた見学会は、慶應義塾のキャンパスに存在する建築物(通常、非公開のものも含む)や彫刻、絵画などの芸術作品を、マップを片手に巡る形式で、年に1,2回開催しており、ガイドによるツアーも実施しています (2015年より、継続中)。

**2020年のオンライン・ツアーはこちらから視聴できます**

Video Information Center and Documentation of Art in 1970s Japan

This project aims at archiving the tape library and other resources of Video Information Center (VIC), and investigating the activities of VIC.
The VIC tape library consists of approximately 1,200 tapes recording performances, exhibitions,symposiums in 1970-80s, such as: Interview with Jiro Takamatsu at his studio, Interview with Nam June Paik, Kishio Suga Event (1975).

Activity report (PDF, Japanese and English)

#MuseumFromHome at KUAC

公開できないでいる展覧会のこと、在宅での研究・教育やアーカイヴ・ワークなど、KUACからの #MuseumFromHome をお伝えします。

SHOW-CASE project

小規模かつ多岐にわたる場所で展開可能な新しい展示プロジェクト。展示ケースという小さな展示空間を作家と演出すると同時に、作家と協力して印刷物を発行する試みです。

Research Project on Tokyo Biennale 1970

The 10th Japan International Art Exhibition (Tokyo Biennial), held in May 1970, was the tenth of eighteen international art exhibitions held between 1952 and 1990, in principle, every other year. However, with Nakahara Yusuke as commissioner, the 1970 exhibition with the theme of "Between Man and Matter" was a special exhibition.


The Keio University Art Center was entrusted with the materials belonging to Minemura Toshiaki Minemura, the Mainichi Shimbun bureaucrat who was responsible for the realization of the exhibition, and thus launched a research project to study the exhibition.

Meeting Artists in Keio

ワークショップを通じて、慶應義塾の学生や生徒が、国際的な文脈で展開する現代アーティストに出会い、同時代への広い視野、歴史への深い洞察、そして創造的なマインドを培う機会を創出します。

Genetic Engine

    In 1998, Keio University Art Center (KUAC) opened Hijikata Tatsumi Archive, which has served as a model for our “Genetic Engine” and led us to work on art archive. As it marks the 25th anniversary this year, we are planning a series of events and publications to review and reconstruct the system of “Genetic Engine.”

    Art archive can be regarded as “Genetic Engine.” Memory of an individual or an organization is quasi-material, but it essentially stays inside them. In contrast, record is externalized memory, where memory have contact with record. At this point arises an archive. Integrating the genetic elements of past event, archive re-generates them in new, various perspectives. In this sense, we call archive “Genetic Engine.” 

    Our attempt to revise "Genetic Engine" will be made in various field, e.g. exhibitions, publications, a symposium. We are looking forward to your participation.

Butoh: A Body Over the Edge

土方巽の《禁色》(1959)発表から半世紀が過ぎ、舞踏は国や地域を越えた広がりを見せています。世界の各地でパフォーマンスやワークショップが開催されているほか、様々な研究者により舞踏研究が行われています。

「舞踏:越境する身体」では、舞踏の実践や研究の国際的な状況を調査し、国内の動向と接続することを目指しています。また同時に、慶應義塾大学アート・センターの土方巽アーカイヴで行われている研究活動の、より積極的な国際発信を行います。

Arts Management educational program

Our main objectives are to question current educational approaches to the management of cultural and public arts organizations (or Arts Management), attempting to move beyond the limited understanding or shortsightedness of purely academic enquiries. In addition to this, we aim to promote the development and practice of efficient Arts Management Educational Programs, through evaluating educational targets, objectives, and methods.

Project details (2013)