| Calligraphy and Books of Zen Priests | 2018-11-12 |
| Hijikata Tatsumi as Trickster / “Rebellion of the Body”1968--2018 | 2018-10-01 |
| KUAC Cinematheque 2 x "Pleating Machine" Issue 1 | 2018-10-01 |
| The Man who Transmitted Zen to the World—Soyen Shaku and Modern Japan | 2018-06-04 |
| Genetic Engine: Foreword | 2018-05-14 |
| Introduction to Archives XVI: The Shadow in a Marginalia: Shuzo Takiguchi’s Room | 2018-01-22 |
| Architecture Past and Present: The Comings and Goings of Keio University Shinanomachi Campus | 2017-12-09 |
| Kūkai and Books of the Shingon Esoteric Buddhism | 2017-11-13 |
| Relations with Neighboring Countries in the Edo Period | 2017-10-10 |
| KUAC Cinemateque 1: Video is a Toy! VIC#1 | 2017-07-10 |
| Yoko Terauchi | 2017-05-15 |
| Avalanching Avalanche! | 2017-01-11 |
| Books On Antiques in Pre-Modern Japan | 2016-11-14 |
| The World of Paleography IV : Records of Internal Migration | 2016-10-03 |
| Introduction to Archives XIV "KAMAITACHI and TASHIRO" | 2016-06-01 |
| Introduction to Archives XIII: Tokyo Biennale ’70, Revisited | 2016-02-22 |
| Narrating Faculty of Letters The Humanistic Study in Documents／The Words of Master and Pupil Junzaburo Nishiwaki and Toshihiko Izutsu | 2015-12-02 |
| SHOW-CASE project No. 3 Shinro Otake Time Memory／Feedback | 2015-11-27 |
| Treasures from Century Cultural Foundation: The Art at Peace -- Early Edo Culture thorough Books | 2015-11-04 |
| Recording the Late Edo period: NIJO Family Documents | 2015-10-05 |
| Keio and World War Ⅱ: Exhibition Ⅲ 'KEIO1945' | 2015-06-01 |
| Contemporary eyes Ⅴ: Blinky Palermo | 2015-05-11 |
| Noguchi Room Revisited | 2015-03-02 |
| SHOW-CASE project No. 2 Nobuhiro Shimura "Lucent Case" | 2015-01-19 |
| Adoration to classical antiquity | 2014-12-08 |
| Living with Calligraphy in the Edo Period | 2014-11-05 |
| Personal Belongings, Voices, and People at the time | 2014-10-07 |
| SAMURAI ReCords | 2014-09-17 |
| SHOW-CASE project No.1: Motohiro Tomii "three erasers" | 2014-09-17 |
| Contemporary Eyes IV The Light Dwells: Imi Knoebel | 2014-05-19 |