慶應義塾大学アート・センター Keio University Art Center

Exhibitions

Hijikata Tatsumi as Trickster / “Rebellion of the Body”1968--20182018-10-01
The Man who Transmitted Zen to the World—Soyen Shaku and Modern Japan2018-06-04
Genetic Engine: Foreword2018-05-14
Introduction to Archives XVI: The Shadow in a Marginalia: Shuzo Takiguchi’s Room2018-01-22
Architecture Past and Present: The Comings and Goings of Keio University Shinanomachi Campus2017-12-09
Kūkai and Books of the Shingon Esoteric Buddhism2017-11-13
Relations with Neighboring Countries in the Edo Period2017-10-10
KUAC Cinemateque 1: Video is a Toy! VIC#12017-07-10
Yoko Terauchi2017-05-15
Avalanching Avalanche!2017-01-11
Books On Antiques in Pre-Modern Japan2016-11-14
The World of Paleography IV : Records of Internal Migration2016-10-03
Introduction to Archives XIV "KAMAITACHI and TASHIRO"2016-06-01
Introduction to Archives XIII: Tokyo Biennale ’70, Revisited2016-02-22
Narrating Faculty of Letters The Humanistic Study in Documents/The Words of Master and Pupil Junzaburo Nishiwaki and Toshihiko Izutsu2015-12-02
SHOW-CASE project No. 3 Shinro Otake Time Memory/Feedback2015-11-27
Treasures from Century Cultural Foundation: The Art at Peace -- Early Edo Culture thorough Books2015-11-04
Recording the Late Edo period: NIJO Family Documents2015-10-05
Keio and World War Ⅱ: Exhibition Ⅲ 'KEIO1945'2015-06-01
Contemporary eyes Ⅴ: Blinky Palermo2015-05-11
Noguchi Room Revisited2015-03-02
SHOW-CASE project No. 2 Nobuhiro Shimura "Lucent Case"2015-01-19
Adoration to classical antiquity2014-12-08
Living with Calligraphy in the Edo Period2014-11-05
Personal Belongings, Voices, and People at the time2014-10-07
SAMURAI ReCords2014-09-17
SHOW-CASE project No.1: Motohiro Tomii "three erasers"2014-09-17
Contemporary Eyes IV The Light Dwells: Imi Knoebel2014-05-19
Introduction to Archives XI: TAKEMIYA INVITATIONS2014-03-03
SHOW-CASE project No.0: Motohiro Tomii "Blind Composition"2014-03-03